The Third day news!
May 9th, Friday 18h – 21,65 meters of shachtophony @ SC Yard (4’33”) 19h –...
May 9th, Friday
18h – 21,65 meters of shachtophony @ SC Yard (4’33”)
19h – Presentation: Cafe OTO & ROOM40 @ &TD caffe (45′)
20h – Slagwerk den Haag & Gideon Kiers
Hilary Jeffery: Time Spell 2 @ &TD big hall (30′)
20.30h – Artist talk: Hilary Jeffery, moderated by Petar Milat (30′) @ &TD semicircular hall
21h – Slagwerk den Haag
Arnold Marinissen: Fingerprints IV, V, VI (18′)
SDH&guests: Impro session (30′)@ &TD big hall
22h -21,65 meters of shachtophony @ SC Yard (4’33”)
22.30h – MMessy Oscillators @ MM centre (45′)
23.30h – Svetlana Maras @ &TD semicircular hall (40′)
May 8th, Thursday
18h – 21,65 meters of shachtophony @ dvorište SC (4’33”)
18.30h - Thomas Grill: Listening – Sound and Context (lecture) @ MM centar (60′)
20h – fusNota presents: concert by the students of the Music Academy in Zagreb (programme: Babić, Glojnarić, Slaviček, Violić, Žerovnik ) @ &TD semicircular hall (60′)
21h – Low Frequency Orchestra @ MM centre (50′)
22h – 21,65 meters of shachtophony @ SC Yard (4’33”)
22.30h – Sound of movement: Kaja Farszky & Nenad Kovačić @ &TD semicircular (40′)
23.30h – Peoplemeter @ &TD big hall (30′)
May 7th, Wednesday
18h – 21,65 meters of shachtophony @ SC Yard (4’33”)
18,30h – installation opening: The RGB Luminophone @ SEK hall
19h – Tilbury performs Beckett @ &TD semicircular hall (60′)
20h – Artist talk: John Tilbury, moderated by Nikša Gligo @ &TD semicircular hall (45′)
21h -2 of half in 1 : Goran Jurković & Danijel Detoni (programme: Gamisch, Lauba, Detoni, Rzewski,
Glojnarić, Dedić, Kranebitter) @ MM centre(60′)
22h – 21,65 meters of shachtophony @ SC Yard (4’33”)
22.15h – Hommage to Dragan Pajic – Pajo @ &TD big hall (75′)
23.30h – kajkyt @ &TD big hall (45′)
Sorry, this entry is only available in Hrvatski.
May 10th, Saturday
19h – Luka Juhart (programme: Globokar, Juhart, Demetz, Fuentes, Šaljić Podešva) @ &TD semicircular (60′)
Accordionist Luka Juhart (1982) studied at the Trossingen Music Academy and the Würzburg University of Music in Germany (Hugo Noth and Stefan Hussong). He regularly records for various radio stations and performs across Europe. He has appeared with ensembles such as Camerata Zuerich, Windkraft Ensemble, Avanture Ensemble, Slovenian Philharmonic Orchestra, BBC Scottish Symphony Orchestra, ORF Vienna Radio Symphony Orchestra etc. Juhart attaches great importance to working with contemporary composers. He collaborates with many composers (Rojko, Globokar, Larcher, Huber, Demetz, Mahnkopf).
Program:
Luka Juhart: hrUP (2013.), za Vinka
Bojana Šaljić Podešva: Abstinenca 3 (2014.) *praizvedba
Arturo Fuentes: Getmove (2011., obr. 2014.) *praizvedba
Eduard Demetz: 4 Tracks (2013.) *praizvedba
Vinko Globokar: Dialog o zraku (1994.)
The basic mean of expression in the work of composer Bojana Šaljić Podešva (1978) is electroacoustic music, regarding fixed-recorded 2- or more channel compositions, as well as real-time treatment of instrumental or vocal sound and music installation. Another important domain of her work represents music in relation to contemporary visual and performing.
Arturo Fuentes (Mexico, 1975) arrived in Europe in 1997; his musical path led him from Milan, Paris and Vienna to his current home in Innsbruck. He has studied with Franco Donatoni in Milan and Horacio Vaggione in Paris. He composes instrumental and electronic music, and conceives new musical theater projects that combine dance, video and electronics.
The feature of Getmove is quickness. I am interested in creating a shifting texture containing several sound dimensions: we hear the noise of the keys that are mixed with the air and the real sound. I am also interested in the accordion dark color projection in the lower register; for me, it is like a line of sonic color that takes off upward. Regularity and irregularity, density and lightness, are at the center of this piece. (Arturo Fuentes)
Eduard Demetz studied piano and orchestra-conducting at the Mozarteum. He has also worked on several movie, theatre and tv productions. His pieces have been performed by acclaimed ensmbles and orchestras. He is Artistic Director of the “valgardenamusica“ festival and vice president of the “Transart“ festival of contemporary culture.
The 4 Tracks are dedicated to Luka Juhart whose quest for the instrumental perfection, refined feeling for the sound, as well as his openness to experimentation have inspired me for composing these four tracks. Tracks is a piece characterized by fragmentation, living out of the player’s desire to „grab the keys“. Music is created in real time through electronic manipulation of the fragments of the accordion part.